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Well, here we are. Another wonderful year in music has come to an end—and I've finally completed my Year-End Top Albums list. Here are my Top 75 Albums of 2019, along with some honorable mentions. This year has been especially impressive to me; there were so many noteworthy albums released this year that I extended my list from 50 to 75.
I've done a lot of traveling throughout the year, and it's also my senior year of college. Unfortunately, I've been incredibly busy and haven't been able to stay up-to-date with this blog; I apologize for that. However, I've still been actively listening to and critiquing new releases. If you want to stay up-to-date with my album ratings, feel free to follow my RateYourMusic profile; my username is @greersears. At any rate, I'm excited that this list gives me the opportunity to share my opinion on some albums that I never got around to reviewing.
As always, I want to emphasize that this list is opinion-based; you have every right to disagree with me. Ultimately, I just hope that this list introduces you to something new and enjoyable. Also, please don't get too caught up with the order of the albums. A lot of people respond to my lists with comments like, "HOW COULD YOU PUT _______ OVER ______?!" I started curating this list two or three months ago—and to be honest, I've changed my mind on the album order almost every day since. With a list this extensive, it's practically impossible to feel perfectly content with the sequence. These albums are generally in order, but there is certainly room for nuance. If you have any questions or comments after reading, please reach out to me! I love discussing this stuff!
Before we jump in, I wanted to list a few honorable mentions. Time would fail me to give a detailed opinion on all of these records—but if they made the list, I had an overall positive regard for them. They just weren't Top 75 material.
Now without further adieu...
75 | Dreamville - Revenge of the Dreamers 3
Hip Hop / Trap
Being the most collaborative No. 1 Hip Hop album of all time, this release is certainly a milestone in rap history. I will concede that it was a bit bloated, and could have benefited from refinement—but it's still a ridiculously fun and impressive display of label talent.
74 | Caterina Barbieri - Ecstatic Compensation
Progressive Electronic / Ambient Trance
72 | Thaiboy Digital - Legendary Member
Cloud Rap / Trap
A friend of mine once aptly referred to Drain Gang as "an endless chunk of cotton candy with pop rocks in it." Legendary Member is another delectable bite from that chunk.
71 | King Gizzard & The Lizard Wizard - Fishing For Fishies
Boogie Rock / Psychedelic Pop
What can I say? Harmonicas rule.
70 | Oso Oso - Basking in the Glow
Emo-Pop / Indie Rock
Basking in the Glow is another warm, well-written collection of anthemic Midwest Emo songs that 2019 was in desperate need of.
69 | Alexander Noice - Noice
Art Pop / Zeuhl
Noice is one of the most interesting projects I've heard all year. It's an eccentric blend of pop, jazz and operatic rock that is vigorous, yet confined—inciting a sense of claustrophobia. Noice's stellar guitar work and quirky sample selection kept bringing me back for subsequent listens.
68 | Blanck Mass - Animated Violence Mild
Electro-Industrial
Blanck Mass has returned with another dense, playful, and chaotic amalgamation of noise that, in my opinion, transcends the peaks of World Eater. My only wish is that the mixing was slightly improved.
67 | Julia Jacklin - Crushing
Indie Folk / Soft Rock
The instrumentation on Crushing, though serviceable, is not what makes this record so special; it's the admirable honesty, candidness, and firmness of Jacklin's lyricism. Thematically, Crushing is not always an easy listen—but it's an important one. Jacklin offers insightful and thought-provoking perspectives on prominent issues that are not discussed nearly enough.
66 | Vampire Weekend - Father of the Bride
Indie Pop / Sunshine Pop
On the surface, this feels nonchalant and serene; it's a jaunty and radiant record—beautifully orchestrated, highly accessible, and skillfully produced. But once you dig in, you'll find that it's also extraordinarily thoughtful. As a Christian, I was especially enticed by the Judeo-Christian themes and religious imagery employed throughout. Koenig offers some profound and constructive insight that is sure to be of use to anyone with religious conviction in our current cultural climate. The album might have benefited from a more condensed, "all killer no filler" tracklist—but Father of the Bride is still a rewarding and prestigious addition to the indie rock band's discography.
65 | Angelo De Augustine - Tomb
Indie Folk / Chamber Folk
Tomb is an intimate and soul-stirring acoustic record with lovely melodies and poignant vocal delivery—the perfect album for a rainy Sunday afternoon.
64 | Mandolin Orange - Tides of a Teardrop
Contemporary Folk / Americana
This record features some of the most infectious melodies and bewitching harmonies of 2019. The duo uses a rather simple formula, but the result is still exceptionally piercing and beautiful.
63 | Durand Jones & The Indications - American Love Call
Chicago Soul / Deep Soul
This is by far one of the greatest ear candy albums of 2019. Criminally catchy melodies, outstanding musicianship, and supremely soulful and elegant vocal deliveries are present throughout.
62 | Lizzo - Cuz I Love You
Pop Soul / Contemporary R&B
In Cuz I Love You, it feels as though Lizzo is transcending genre altogether—offering an impactful piece of art that embodies joy and confidence. If I had to choose one word to describe this album, it'd be, "empowering."
61 | Kishi Bashi - Omoiyari
Chamber Pop / Indie Folk
Omoiyari is a gorgeously light and lush concept album with unassuming depth. Despite the instrumentation being bright and colorful, the record tackles some dark and difficult themes—chiefly, the oppression of Japanese Americans in the 1940s.
60 | Weatherday - Come In
Lo-Fi Indie / Noise Pop / Emo
This debut album from Sputnik, aka Weatherday, is relentlessly raw, noisy, and impassioned. It borrows from a myriad of influences (most noticeably Phil Elverum); be that as it may, it somehow maintains its own charming yet sentimental identity.
59 | International Teachers of Pop - International Teachers of Pop
Synth-Pop / Dance-Pop
This record is just plain fun—a glamorous, rhythmic, and high-energy disco album calling back to the late '70s and early '80s.
58 | ECCO2K - E
Alternative R&B, Cloud Rap
Zak Arogundade exceeds expectations on his highly-anticipated debut; this project is exquisitely cold, atmospheric, and entrancing. Unfortunately, the song structure can be weak at times—resulting in some tracks feeling unfinished. Still, Zak shows incredible promise, and I'm excited to see what he accomplishes next.
57 | Tyler Childers - Country Squire
Traditional Country
After years of suffering through the emergence and rising popularity of "Bro-Country," revivalists like Childers are a welcome relief and a breath of fresh air. However, Childers' return to form isn't all that he has going for him; he also has an indisputable knack for creative songwriting and a rich, unmistakable vocal timbre.
56 | Florist - Emily Alone
Indie Folk / Singer-Songwriter / Spoken Word
As the title suggests, this new release from Florist was not a full-band effort; it was written, recorded, and produced entirely by the group's lead singer, Emily Sprague. Each song features vocals over a single guitar or piano. This stripped down approach brings Emily's evocative lyricism to the forefront, and helps the record feel close and personal.
55 | Deerhunter - Why Hasn't Everything Already Disappeared?
Neo-Psychedelia / Indie Rock
To be frank, I don't understand why this record had such mixed reception. Why Hasn't Everything Already Disappeared is a captivating and worth-while commentary on the state of humanity in the 21st century; it's alluringly melancholic, existential, and thoughtful.
54 | Mount Eerie - Lost Wisdom, Pt. 2
Indie Folk / Slowcore
While Lost Wisdom, Pt. 2 doesn't reach the heights of Elverum's previous work, it's still a worthy addition to the Mount Eerie discography. There are lulling and uneventful moments, but "Belief" and "Widows" are some of my favorite tracks of the year.
53 | Kai Whiston - No World as Good as Mine
UK Bass, Experimental Rock
I'll admit that Whiston can be overly ambitious at times; there are moments on this record where he bites off a little more than he can chew. Even so, No World as Good as Mine is a colossal feat in sound design, and an enthralling concept album exhibiting production mastery.
52 | Danny Brown - uknowhatimsayin¿
Hardcore Hip Hop / Abstract Hip Hop
It's difficult for an artist to follow up an album like Atrocity Exhibition—but uknowhatimsayin¿ is far from a misstep. The album is admittedly weaker and less cohesive than its predecessor; but it's still littered with inventive and outright hilarious moments.
51 | Rapsody - Eve
Conscious Hip Hop / Boom Bap
Two years after the release of Laila's Wisdom, Rapsody has returned with another great concept album; her articulate lyricism, masterful rapping, and unmistakable East Coast production have coalesced into a powerful celebration of black women's excellence.
50 | Bedouine - Bird Songs of a Killjoy
Chamber Folk / Singer-Songwriter
Listening to this record is like traveling to a cabin in the woods on Christmas Day, snuggling up by the fireplace, and enjoying a warm peppermint mocha latte.
49 | Sunn 0))) - Life Metal
Drone Metal
This record is perhaps the most euphonious and captivating installment in the Sunn 0))) discography. It's rich and meditative—set apart by its entrancing sound design and subtle, painstaking detail.
48 | Big Thief - U.F.O.F.
Indie Folk / Slowcore
Somehow, Big Thief managed to release two of the warmest and most earnest records of 2019. Admittedly, it's easy to feel weighed down by U.F.O.F.'s density and lethargy—but Adrienne's lyrical facility and fervency make it a worthwhile journey.
47 | Fontaines D.C. - Dogrel
Post Punk / Art Punk
Musically, Dogrel is not earth-shatteringly inventive—but it's inarguably eloquent and charismatic. Grian Chatten doesn't waste a single breath; every stanza on this politically charged and domestically inspired record is lively, lucid, and potent.
46 | Brittany Howard - Jaime
Psychedelic Soul / Blues Rock
Brittany Howard, front-woman of Alabama Shakes, has finally released a debut solo album—and it's phenomenal. The composition and musicality is exceptional, the content is substantial, and Howard's vocal performance is stirring and robust.
45 | Cate le Bon - Reward
Art Pop
Characterized by a spacey, whimsical, and minimalist aesthetic, this art pop record is imposingly acute and aptly rewarding.
44 | Vanishing Twin - The Age of Immunology
Neo-Psychedelia / Dream Pop
The Age of Immunology is a dreamy and atmospheric adventure that somehow feels both futuristic and mythological in nature.
43 | JPEGMAFIA - All My Heroes Are Cornballs
Experimental Hip Hop / Glitch Hop
This is easily the greatest disappointment of 2019. I mean "greatest" in both senses of the word.
42 | Flying Lotus - Flamagra
Nu Jazz / Glitch Hop
Sonically, this album may not reach the same heights as Cosmogramma or You're Dead, but it's still a magnificent display of artistry from one of the world's most brilliant minds. The record also feels more impassioned and emotionally-charged than some of his previous work.
41 | The National - I Am Easy To Find
Chamber Pop / Art Rock
Accompanied by a host of talented female artists, The National has created their most orchestral and cinematic project yet. The heartfelt and tearful film released alongside the album may have given me a slightly greater appreciation for the music, but the album is still impactful on its own merit.
40 | Local Natives - Violet Street
Indie Pop
Don't listen to what the haters have to say about this album. Structurally, it may be a fairly standard indie pop record; but sonically, Local Natives has grown by leaps and bounds. Violet Street feels meticulously crafted—filled with vibrant soundscapes and some of the catchiest tunes of the year.
39 | The Comet Is Coming - Trust in the Lifeforce of the Deep Mystery
Jazz Fusion / Nu Jazz
Trust in the Lifeforce is an engrossing and forward-thinking jazz record that skillfully and tastefully uses electronica as its backdrop. The Comet is Coming has taken the baton of jazz fusion and carried it a great distance.
38 | Gloo - XYZ
Wonky / UK Bass
Iglooghost has teamed up with Kai Whiston and BABii for a heavy, mechanical collaborative record that is notably succinct and consistent. Their chemistry is undeniable, and I hope this isn't their final joint effort.
37 | James Blake - Assume Form
Alternative R&B / Art Pop / Trap
Assume Form is such a wholesome and winsome record. You can read my review of the album here. James Blake is an incredibly gifted producer, and this is the most unworried and optimistic project he's created. On the surface, this record may seem somewhat sluggish—but as you spend more time with it, you'll begin to recognize and appreciate the subtleties that make it so special.
36 | Freddie Gibbs & Madlib - Bandana
Gangsta Rap / Boom Bap
Name a more iconic duo. I'll wait.
35 | Denzel Curry - ZUU
Southern Hip Hop / Trap
ZUU is not nearly as ambitious as TA13OO—but it's not supposed to be. Released only ten months after TA13OO, ZUU is more lighthearted release—a fun, punchy collection of songs paying homage to Curry's hometown: Carol City, Florida.
34 | Lana Del Ray - NFR!
Singer-Songwriter / Art Pop
Per usual, Lana Del Ray has given us another album of mellow balladry; but this time around, its more lush, ethereal, and meaningful than ever before.
33 | MAVI - Let the Sun Talk
Abstract Hip Hop / Jazz Rap
On the song "sense," MAVI raps, "What kinds of songs you make? / I make the kind you gotta read, baby." Throughout the project, he proves the accuracy of this assertion; Let the Sun Talk is not only a great listen, it's a great read.
32 | Jay Som - Anak Ko
Dream Pop / Indie Rock/ Jangle Pop
What this album aims to do, it does extremely well. Anak Ko may not be the most unique and original indie release of the year—but its warm tone, sharp songwriting, and immaculate production make it Duterte's best work yet.
31 | Anderson .Paak - Ventura
Neo-Soul / Contemporary R&B / Funk
Anderson .Paak has followed up Oxnard with a fun, refreshing, and aesthetically consistent LP that plays to his strengths—featuring legends like Smokey Robinson and the late Nate Dogg.
30 | Michael Kiwanuka - Kiwanuka
Psychedelic Soul / Deep Soul
Michael Kiwanuka is a fascinating voice in modern soul; his music is simultaneously reminiscent and cutting-edge. Kiwanuka is remarkably polished, realized, and tenacious.
29 | Big Thief - Two Hands
Indie Folk / Folk Rock
Two Hands showcases a lot of the same strengths as its predecessor, but introduces a slightly more diverse and invigorating sonic pallet.
28 | Medhane - Own Pace
Abstract Hip Hop / Cloud Rap
Conceptually and compositionally, Medhane joins the likes of Earl Sweathshirt, MIKE, and MAVI with this contemplative debut album. Over the course of the project, he offers hopeful and endearing perspectives on various issues such as depression. And on top of that, the production is delightfully rich and snug throughout.
27 | Quelle Chris - Guns
Conscious Hip Hop / Abstract Hip Hop / Jazz Rap
Quelle's ability to intermingle challenging sociopolitical commentary with witty humor is impeccable. Hands down, Chris is one of the most compelling and versatile personalities in underground hip hop. I'm also a sucker for jazz rap, and the beats on here are fantastic.
26 | King Gizzard & The Lizard Wizard - Infest the Rat's Nest
Thrash Metal / Stoner Metal
Just months after the release of Fishing for Fishies, King Gizzard & The Lizard Wizard returned with the release of a heavier, thrashier metal album that tackles similar themes. Admirably, the group has their hearts set on addressing the issue of climate change. They do so rather creatively on this new record—telling the story of a group of individuals who fail to occupy another planet after earth becomes uninhabitable. While this album is heavily and noticeably influenced instrumentally, King Gizzard's contagious energy and brazen charisma is still there
25 | Sharon Van Etten - Remind Me Tomorrow
Indie Pop / Indietronica
Sharon's audacious attempt at artistic reinvention proves to be successful, as Remind Me Tomorrow is one of the most sincere, relatable, and exciting releases of the year. You can read my review of it here.
24 | Lightning Bolt - Sonic Citadel
Noise Rock / Brutal Prog
Don't be fooled by the genre descriptors, or the immediate annihilatory energy of the first track. By Lightning Bolt's standards, this is basically a pop album. But it's a really great pop album.
23 | Thom Yorke - Anima
Glitch Pop / Ambient Pop
Honestly, who wouldn't want to hear Thom Yorke wistfully mumble and croon over gloomy bleeps and bloops?
22 | Flume - Hi This Is Flume
Wonky / Glitch Hop / Deconstructed Club
Experimental Flume is the best Flume. Also, it's practically impossible to mess up an album with features from slowthai, JPEGMAFIA, and SOPHIE.
21 | (Sandy) Alex G - House of Sugar
Indie Folktronica / Neo-Psychedelia
I completely understand the criticism with which this album has been met. As a whole, this is not a seamless and purified project. But in my opinion, its relatability and imaginative musicality immensely overshadow its shortcomings.
20 | Thank You Scientist - Terraformer
Progressive Rock / Jazz Fusion
At this point, Thank You Scientist has a fairly predictable formula—but their technical proficiency and melodic sensibility always manage to impress me. Instrumentally, Terraformer is the band's strongest effort yet. The only drawback is its exhausting length.
19 | Bill Callahan - Shepherd in a Sheepskin Vest
Singer-Songwriter / Americana / Alt-Country
As one might suspect, this new record from Bill Callahan is far from vivacious. Poeticism has always been the centerpiece of Callahan's music. Shepherd in a Sheepskin Vest had a shockingly profound affect on me. Bill's positive outlook on death is comforting and beautiful. "Circles," "When We Let Go," and "Lonesome Valley" left me in tears.
18 | 100 gecs - 1000 gecs
Bubblegum Bass / Emo Rap / Deconstructed Club / Trap
17 | Carly Rae Jepsen - Dedicated
Dance-Pop / Synth-Pop
Queen Carly has successfully and charasmatically reclaimed the glossy sound of the '80s, and seamlessly fused it with elements of contemporary pop music. Dedicated is a laudable successor to 2015's Emotion. Time and again, Jepsen proves to be one of the most consistent artists in pop music.
16 | Injury Reserve - Injury Reserve
Experimental Hip Hop / Industrial Hip Hop
On their self-titled debut record, this Arizona trio finds the perfect balance between gaiety and thoughtfulness, zaniness and profundity. The production is often innovative and industrial, without completely abandoning pop sensibility and accessibility.
15 | Ariana Grande - thank u, next
Contemporary R&B / Pop
Written in only two weeks, thank u, next is a strong contender for pop album of the year. Due to the time allotment, the lyricism comes across a bit rudimentary at times; but overall, this album covers all the bases that mainstream pop record should. It's not only fun and infectious, but also conceptual. And the production backing Ariana's soaring vocals is pristine. "ghostin" is one of the most memorable pop tracks of the year.
14 | Little Simz - GREY Area
UK Hip Hop / Conscious Hip Hop
I think Kendrick Lamar said it best when he said, "[Little Simz] might be the illest doing it right now" (MistaJam, 2015). GREY Area is my favorite rap record of the year; it offers smart and powerful social commentary over dark, rhythmic, jazz-inspired beats.
13 | Alon Mor - Lands of Delight
Experimental Electronic / Deconstructed Club / Cinematic Classical
I've had my eye on Alon Mor since the release of his 2016 single, "Demons." His music is some of the most cinematic electronic music I've ever heard. Every song feels like a battle, and every album feels like a journey. The complex composition, grandiose sound design, and extravagant song progression render this album other-worldly.
12 | Charli XCX - Charli
Electropop / Bubblegum Bass
There are a few songs on this record that are needlessly vapid and gentrified; it's likely Charli was hedging her bets in hopes of securing some radio airtime. But by and large, this is a state-of-the-art pop album. The production value and vocal processing are simply next-level, no pun intended.
11 | Hakushi Hasegawa - Air Ni Ni
J-Pop / Progressive Pop / Nu Jazz
I came across Air Ni Ni at the tail end of 2019, and I'm so glad that I did. It's profoundly spirited and engrossing. Derived from eclectic influences, Air Ni Ni finds its distinctive and eccentric identity. This is a highly addictive and phenomenally progressive take on jazz music. "Only You" is one of my favorite album openers of the year; it's such a convivial and befitting precedent for the rest of the record.
10 | Purple Mountains - Purple Mountains
Alt-Country / Indie Rock / Singer-Songwriter
David Berman (God rest his soul) was one of the greatest lyricists of our time, if not the greatest. No one could craft a verse like he could; he had some of the punchiest couplets in indie music history. Purple Mountains is a painfully honest and somber commentary on depression—and the context of Berman's death makes this even more heartbreaking to listen to. It's Berman's darkest project, and it certainly exhibits his extraordinary songwriting ability. This album is special, and it will be remembered for many years to come.
9 | Bon Iver - i,i
Art Pop / Folktronica
For fans of Vernon's past work, i,i might be an acquired taste. Whereas his past three studio albums were deeply personal, self-reflective, and melancholic, this record is externally focused and buoyant. Conceptually, i,i is grand in scale. While 22, A Million was dark, intimate, and cryptic, i,i is informative, hopeful, and exhortative. Justin wears his heart on his sleeve with this release; songs like "Faith" and "Naeem" are vehemently cathartic.
8 | Angel Olsen - All Mirrors
Art Pop / Dream Pop / Chamber Pop
Angel Olsen's fourth studio album is dark and imposing. This is a new aesthetic for Olsen; and it suits her incredibly well. The instrumentation on All Mirrors is more rich and symphonic than ever before; the warm strings, atmospheric synths, and sonorous vocals complement each other wonderfully. Moreover, the themes Olsen explores are sublimely human.
7 | Madeon - Good Faith
Electropop / Synth-Pop
If uplifting, gospel-fused EDM with flawless mixing and sparkling production sounds like your cup of tea, this might be the greatest tasting tea you ever consume. I can't stop listening to this album; it's arguably the most inspirational and smile-inducing record of the year. And if you get the chance to see Madeon perform live, do it. "Good Faith Live" was one of the most beautiful electronic shows I'd ever seen.
6 | Weyes Blood - Titanic Rising
Baroque Pop / Art Pop
You know the drill. You can't have a Year-End list without Titanic Rising.
5 | The Caretaker - Everywhere at the end of time (S6)
Dark Ambient, Drone, Sound Collage
I've never been so emotionally provoked by an ambient project. Everywhere at the End of Time is an utterly forlorn and horrifyingly tranquil piece of art. Clocking in at 6 hours and 39 minutes, this concept album (if you can call it that) attempts to sonically depict the stages of dementia through the lens of one who has been diagnosed. It's a delicate subject, but it's handled with great care. The album was released in six parts over the course of the decade. This year, the sixth and final stage was released. While listening to Stage 6, I blindfolded myself and thought meditatively on the subject matter. It led to one of the most severe moments of existential thought I've ever experienced while listening to music. I cried, winced, and shook with fear.
4 | Tyler, The Creator - IGOR
Neo-Soul / Experimental Hip Hop
Following up the sensational Flower Boy, we have an even more melodious and vulnerable release from Tyler, The Creator. IGOR is Tyler's most conceptual and psychedelic record. Sure, it's discernably influenced—but Tyler's signature synthesizers, unorthodox chord progressions, sophisticated songwriting, and calculated conceptualization make it one-of-a-kind.
3 | FKA Twigs - Magdalene
Art Pop / Glitch Pop / Alternative R&B
Prepare for a staggering display of passion and craftsmanship. On Magdalene, Tahliah Barnett is emotionally forthright and unreserved. She identifies with and attempts to vindicate Mary Magdalene—a bible character who has been defamed by many. Barnett uses Magdalene as a synecdoche of sorts; honorably, her end-goal is to honor and inspire the marginalized. She does so successfully—backed by a team of ingenious and enterprising producers.
2 | black midi - Schlagenheim
Noise Rock / Math Rock / Post-Punk
On the surface, Black Midi can be off-putting. Their music is heavy, dissonant, and chaotic. Geordie's vocals are quavery and grating. Schlagenheim is essentially an aural manifestation of adrenaline. That said, allowing this "adrenaline" to be released into your proverbial bloodstream can be galvanizing and life-altering in the best possible way.
1 | Richard Dawson - 2020
Art Rock / Avant-Folk
No one makes music quite like Richard Dawson. 2014's Nothing Important was a deeply introspective and existential lo-fi avant-folk record that put Dawson on the map. In 2017, he returned with the release of Peasant; this critically acclaimed concept album explores the culture of medieval Bryneich by telling isolated stories from the perspective of fictitious individuals living in that place and time. 2020 is similar in theme and structure, but different in context and approach. These projects are obviously intended to be related to one another; they're like two installments of the same series.
2020 is a record that attempts to capture the essence and condition of modern culture. Rather than discussing Bryneich circa 400 CE, Dawson discusses Middle England in the year 2020. He still tells isolated stories that seem unrelated and even inconsequential; but ultimately, they perfectly encapsulate the essence of human existence in the digital age. They're jam-packed with universal truths and valuable lessons. He tackles difficult subjects like anxiety, depression, and politics via stories about soccer, infidelity, and Amazon Fulfillment Centers. It's all at once humorous and bleak, amusing and distressing. Dawson has a remarkable ability to cleverly ornate the mundane.
Musically, 2020 is all over the place—but all of its sonic exploration stems from an easily recognizable place of passion, anxiety, and quirkiness. This foundation helps the album to maintain a cohesive aesthetic. He uses a lot of new sounds, and experiments more with noise and synths. Ironically, he’s managed to make this his most accessible record yet by adding more sonic elements. It still feels notably raw, grimy, and impassioned, despite having more commercialized production. 2020 also contains Dawson's most “latchable” melodies to date. Of all his projects, I see this one having the widest appeal; and yet, it was crafted without sacrificing any artistic integrity.
Ada Lea - what we say in private
Aldous Harding - Designer
Avey Tare - Cows on Hourglass Pond
Avey Tare - Cows on Hourglass Pond
Bibio - Ribbons
Caroline Polachek - Pang
CHAI - PUNK
Foals - Everything Not Saved Will Be Lost, Parts 1 & 2
Hovvdy - Heavy Lifter
Jamila Woods - LEGACY! LEGACY!
Maxo Kream - Brandon Banks
Men I Trust - Oncle Jazz
Nérija - Blume
Nilufer Yanya - Miss Universe
Pivot Gang - You Can’t Sit With US
slowthai - Nothing Great About Britain
Swans - leaving meaning.
The Chemical Brothers - No Geography
The Japanese House - Good at Falling
The Mountain Goats - In League with Dragons
The Raconteurs - Help Us Stranger
Tool - Fear Inoculum
Whitney - Forever Turned Around
Wiz Khalifa, Curren$y - 2009
YBN Cordae - The Lost Boy
Young Thug - So Much Fun
75 | Dreamville - Revenge of the Dreamers 3
Hip Hop / Trap
Being the most collaborative No. 1 Hip Hop album of all time, this release is certainly a milestone in rap history. I will concede that it was a bit bloated, and could have benefited from refinement—but it's still a ridiculously fun and impressive display of label talent.
74 | Caterina Barbieri - Ecstatic Compensation
Progressive Electronic / Ambient Trance
A project as unorthodox, experimental, and unpredictable as Ecstatic Compensation shouldn't be such an easy listen, but Caterina Barbieri manages to keep you engaged at all times. This is enthralling, atmospheric electronic music that perpetually flaunts outlandish sound design.
73 | American Football - American Football (LP3)
Midwest Emo / Dream Pop
If you're a fan of lush, guitar-driven balladry, American Football will never let you down. This may not be the most innovative record of the year, but it's certainly beautiful.
72 | Thaiboy Digital - Legendary Member
Cloud Rap / Trap
A friend of mine once aptly referred to Drain Gang as "an endless chunk of cotton candy with pop rocks in it." Legendary Member is another delectable bite from that chunk.
71 | King Gizzard & The Lizard Wizard - Fishing For Fishies
Boogie Rock / Psychedelic Pop
What can I say? Harmonicas rule.
70 | Oso Oso - Basking in the Glow
Emo-Pop / Indie Rock
Basking in the Glow is another warm, well-written collection of anthemic Midwest Emo songs that 2019 was in desperate need of.
69 | Alexander Noice - Noice
Art Pop / Zeuhl
Noice is one of the most interesting projects I've heard all year. It's an eccentric blend of pop, jazz and operatic rock that is vigorous, yet confined—inciting a sense of claustrophobia. Noice's stellar guitar work and quirky sample selection kept bringing me back for subsequent listens.
68 | Blanck Mass - Animated Violence Mild
Electro-Industrial
Blanck Mass has returned with another dense, playful, and chaotic amalgamation of noise that, in my opinion, transcends the peaks of World Eater. My only wish is that the mixing was slightly improved.
67 | Julia Jacklin - Crushing
Indie Folk / Soft Rock
The instrumentation on Crushing, though serviceable, is not what makes this record so special; it's the admirable honesty, candidness, and firmness of Jacklin's lyricism. Thematically, Crushing is not always an easy listen—but it's an important one. Jacklin offers insightful and thought-provoking perspectives on prominent issues that are not discussed nearly enough.
66 | Vampire Weekend - Father of the Bride
Indie Pop / Sunshine Pop
On the surface, this feels nonchalant and serene; it's a jaunty and radiant record—beautifully orchestrated, highly accessible, and skillfully produced. But once you dig in, you'll find that it's also extraordinarily thoughtful. As a Christian, I was especially enticed by the Judeo-Christian themes and religious imagery employed throughout. Koenig offers some profound and constructive insight that is sure to be of use to anyone with religious conviction in our current cultural climate. The album might have benefited from a more condensed, "all killer no filler" tracklist—but Father of the Bride is still a rewarding and prestigious addition to the indie rock band's discography.
65 | Angelo De Augustine - Tomb
Indie Folk / Chamber Folk
Tomb is an intimate and soul-stirring acoustic record with lovely melodies and poignant vocal delivery—the perfect album for a rainy Sunday afternoon.
64 | Mandolin Orange - Tides of a Teardrop
Contemporary Folk / Americana
This record features some of the most infectious melodies and bewitching harmonies of 2019. The duo uses a rather simple formula, but the result is still exceptionally piercing and beautiful.
63 | Durand Jones & The Indications - American Love Call
Chicago Soul / Deep Soul
This is by far one of the greatest ear candy albums of 2019. Criminally catchy melodies, outstanding musicianship, and supremely soulful and elegant vocal deliveries are present throughout.
62 | Lizzo - Cuz I Love You
Pop Soul / Contemporary R&B
In Cuz I Love You, it feels as though Lizzo is transcending genre altogether—offering an impactful piece of art that embodies joy and confidence. If I had to choose one word to describe this album, it'd be, "empowering."
61 | Kishi Bashi - Omoiyari
Chamber Pop / Indie Folk
Omoiyari is a gorgeously light and lush concept album with unassuming depth. Despite the instrumentation being bright and colorful, the record tackles some dark and difficult themes—chiefly, the oppression of Japanese Americans in the 1940s.
60 | Weatherday - Come In
Lo-Fi Indie / Noise Pop / Emo
This debut album from Sputnik, aka Weatherday, is relentlessly raw, noisy, and impassioned. It borrows from a myriad of influences (most noticeably Phil Elverum); be that as it may, it somehow maintains its own charming yet sentimental identity.
59 | International Teachers of Pop - International Teachers of Pop
Synth-Pop / Dance-Pop
This record is just plain fun—a glamorous, rhythmic, and high-energy disco album calling back to the late '70s and early '80s.
58 | ECCO2K - E
Alternative R&B, Cloud Rap
Zak Arogundade exceeds expectations on his highly-anticipated debut; this project is exquisitely cold, atmospheric, and entrancing. Unfortunately, the song structure can be weak at times—resulting in some tracks feeling unfinished. Still, Zak shows incredible promise, and I'm excited to see what he accomplishes next.
57 | Tyler Childers - Country Squire
Traditional Country
After years of suffering through the emergence and rising popularity of "Bro-Country," revivalists like Childers are a welcome relief and a breath of fresh air. However, Childers' return to form isn't all that he has going for him; he also has an indisputable knack for creative songwriting and a rich, unmistakable vocal timbre.
56 | Florist - Emily Alone
Indie Folk / Singer-Songwriter / Spoken Word
As the title suggests, this new release from Florist was not a full-band effort; it was written, recorded, and produced entirely by the group's lead singer, Emily Sprague. Each song features vocals over a single guitar or piano. This stripped down approach brings Emily's evocative lyricism to the forefront, and helps the record feel close and personal.
55 | Deerhunter - Why Hasn't Everything Already Disappeared?
Neo-Psychedelia / Indie Rock
To be frank, I don't understand why this record had such mixed reception. Why Hasn't Everything Already Disappeared is a captivating and worth-while commentary on the state of humanity in the 21st century; it's alluringly melancholic, existential, and thoughtful.
54 | Mount Eerie - Lost Wisdom, Pt. 2
Indie Folk / Slowcore
While Lost Wisdom, Pt. 2 doesn't reach the heights of Elverum's previous work, it's still a worthy addition to the Mount Eerie discography. There are lulling and uneventful moments, but "Belief" and "Widows" are some of my favorite tracks of the year.
53 | Kai Whiston - No World as Good as Mine
UK Bass, Experimental Rock
I'll admit that Whiston can be overly ambitious at times; there are moments on this record where he bites off a little more than he can chew. Even so, No World as Good as Mine is a colossal feat in sound design, and an enthralling concept album exhibiting production mastery.
52 | Danny Brown - uknowhatimsayin¿
Hardcore Hip Hop / Abstract Hip Hop
It's difficult for an artist to follow up an album like Atrocity Exhibition—but uknowhatimsayin¿ is far from a misstep. The album is admittedly weaker and less cohesive than its predecessor; but it's still littered with inventive and outright hilarious moments.
51 | Rapsody - Eve
Conscious Hip Hop / Boom Bap
Two years after the release of Laila's Wisdom, Rapsody has returned with another great concept album; her articulate lyricism, masterful rapping, and unmistakable East Coast production have coalesced into a powerful celebration of black women's excellence.
50 | Bedouine - Bird Songs of a Killjoy
Chamber Folk / Singer-Songwriter
Listening to this record is like traveling to a cabin in the woods on Christmas Day, snuggling up by the fireplace, and enjoying a warm peppermint mocha latte.
49 | Sunn 0))) - Life Metal
Drone Metal
This record is perhaps the most euphonious and captivating installment in the Sunn 0))) discography. It's rich and meditative—set apart by its entrancing sound design and subtle, painstaking detail.
48 | Big Thief - U.F.O.F.
Indie Folk / Slowcore
Somehow, Big Thief managed to release two of the warmest and most earnest records of 2019. Admittedly, it's easy to feel weighed down by U.F.O.F.'s density and lethargy—but Adrienne's lyrical facility and fervency make it a worthwhile journey.
47 | Fontaines D.C. - Dogrel
Post Punk / Art Punk
Musically, Dogrel is not earth-shatteringly inventive—but it's inarguably eloquent and charismatic. Grian Chatten doesn't waste a single breath; every stanza on this politically charged and domestically inspired record is lively, lucid, and potent.
46 | Brittany Howard - Jaime
Psychedelic Soul / Blues Rock
Brittany Howard, front-woman of Alabama Shakes, has finally released a debut solo album—and it's phenomenal. The composition and musicality is exceptional, the content is substantial, and Howard's vocal performance is stirring and robust.
45 | Cate le Bon - Reward
Art Pop
Characterized by a spacey, whimsical, and minimalist aesthetic, this art pop record is imposingly acute and aptly rewarding.
44 | Vanishing Twin - The Age of Immunology
Neo-Psychedelia / Dream Pop
The Age of Immunology is a dreamy and atmospheric adventure that somehow feels both futuristic and mythological in nature.
43 | JPEGMAFIA - All My Heroes Are Cornballs
Experimental Hip Hop / Glitch Hop
This is easily the greatest disappointment of 2019. I mean "greatest" in both senses of the word.
42 | Flying Lotus - Flamagra
Nu Jazz / Glitch Hop
Sonically, this album may not reach the same heights as Cosmogramma or You're Dead, but it's still a magnificent display of artistry from one of the world's most brilliant minds. The record also feels more impassioned and emotionally-charged than some of his previous work.
41 | The National - I Am Easy To Find
Chamber Pop / Art Rock
Accompanied by a host of talented female artists, The National has created their most orchestral and cinematic project yet. The heartfelt and tearful film released alongside the album may have given me a slightly greater appreciation for the music, but the album is still impactful on its own merit.
Indie Pop
Don't listen to what the haters have to say about this album. Structurally, it may be a fairly standard indie pop record; but sonically, Local Natives has grown by leaps and bounds. Violet Street feels meticulously crafted—filled with vibrant soundscapes and some of the catchiest tunes of the year.
39 | The Comet Is Coming - Trust in the Lifeforce of the Deep Mystery
Jazz Fusion / Nu Jazz
Trust in the Lifeforce is an engrossing and forward-thinking jazz record that skillfully and tastefully uses electronica as its backdrop. The Comet is Coming has taken the baton of jazz fusion and carried it a great distance.
38 | Gloo - XYZ
Wonky / UK Bass
Iglooghost has teamed up with Kai Whiston and BABii for a heavy, mechanical collaborative record that is notably succinct and consistent. Their chemistry is undeniable, and I hope this isn't their final joint effort.
37 | James Blake - Assume Form
Alternative R&B / Art Pop / Trap
Assume Form is such a wholesome and winsome record. You can read my review of the album here. James Blake is an incredibly gifted producer, and this is the most unworried and optimistic project he's created. On the surface, this record may seem somewhat sluggish—but as you spend more time with it, you'll begin to recognize and appreciate the subtleties that make it so special.
Gangsta Rap / Boom Bap
Name a more iconic duo. I'll wait.
35 | Denzel Curry - ZUU
Southern Hip Hop / Trap
ZUU is not nearly as ambitious as TA13OO—but it's not supposed to be. Released only ten months after TA13OO, ZUU is more lighthearted release—a fun, punchy collection of songs paying homage to Curry's hometown: Carol City, Florida.
34 | Lana Del Ray - NFR!
Singer-Songwriter / Art Pop
Per usual, Lana Del Ray has given us another album of mellow balladry; but this time around, its more lush, ethereal, and meaningful than ever before.
33 | MAVI - Let the Sun Talk
Abstract Hip Hop / Jazz Rap
On the song "sense," MAVI raps, "What kinds of songs you make? / I make the kind you gotta read, baby." Throughout the project, he proves the accuracy of this assertion; Let the Sun Talk is not only a great listen, it's a great read.
32 | Jay Som - Anak Ko
Dream Pop / Indie Rock/ Jangle Pop
What this album aims to do, it does extremely well. Anak Ko may not be the most unique and original indie release of the year—but its warm tone, sharp songwriting, and immaculate production make it Duterte's best work yet.
31 | Anderson .Paak - Ventura
Neo-Soul / Contemporary R&B / Funk
Anderson .Paak has followed up Oxnard with a fun, refreshing, and aesthetically consistent LP that plays to his strengths—featuring legends like Smokey Robinson and the late Nate Dogg.
30 | Michael Kiwanuka - Kiwanuka
Psychedelic Soul / Deep Soul
Michael Kiwanuka is a fascinating voice in modern soul; his music is simultaneously reminiscent and cutting-edge. Kiwanuka is remarkably polished, realized, and tenacious.
29 | Big Thief - Two Hands
Indie Folk / Folk Rock
Two Hands showcases a lot of the same strengths as its predecessor, but introduces a slightly more diverse and invigorating sonic pallet.
28 | Medhane - Own Pace
Abstract Hip Hop / Cloud Rap
Conceptually and compositionally, Medhane joins the likes of Earl Sweathshirt, MIKE, and MAVI with this contemplative debut album. Over the course of the project, he offers hopeful and endearing perspectives on various issues such as depression. And on top of that, the production is delightfully rich and snug throughout.
27 | Quelle Chris - Guns
Conscious Hip Hop / Abstract Hip Hop / Jazz Rap
Quelle's ability to intermingle challenging sociopolitical commentary with witty humor is impeccable. Hands down, Chris is one of the most compelling and versatile personalities in underground hip hop. I'm also a sucker for jazz rap, and the beats on here are fantastic.
26 | King Gizzard & The Lizard Wizard - Infest the Rat's Nest
Thrash Metal / Stoner Metal
Just months after the release of Fishing for Fishies, King Gizzard & The Lizard Wizard returned with the release of a heavier, thrashier metal album that tackles similar themes. Admirably, the group has their hearts set on addressing the issue of climate change. They do so rather creatively on this new record—telling the story of a group of individuals who fail to occupy another planet after earth becomes uninhabitable. While this album is heavily and noticeably influenced instrumentally, King Gizzard's contagious energy and brazen charisma is still there
25 | Sharon Van Etten - Remind Me Tomorrow
Indie Pop / Indietronica
Sharon's audacious attempt at artistic reinvention proves to be successful, as Remind Me Tomorrow is one of the most sincere, relatable, and exciting releases of the year. You can read my review of it here.
24 | Lightning Bolt - Sonic Citadel
Noise Rock / Brutal Prog
Don't be fooled by the genre descriptors, or the immediate annihilatory energy of the first track. By Lightning Bolt's standards, this is basically a pop album. But it's a really great pop album.
23 | Thom Yorke - Anima
Glitch Pop / Ambient Pop
Honestly, who wouldn't want to hear Thom Yorke wistfully mumble and croon over gloomy bleeps and bloops?
22 | Flume - Hi This Is Flume
Wonky / Glitch Hop / Deconstructed Club
Experimental Flume is the best Flume. Also, it's practically impossible to mess up an album with features from slowthai, JPEGMAFIA, and SOPHIE.
21 | (Sandy) Alex G - House of Sugar
Indie Folktronica / Neo-Psychedelia
I completely understand the criticism with which this album has been met. As a whole, this is not a seamless and purified project. But in my opinion, its relatability and imaginative musicality immensely overshadow its shortcomings.
20 | Thank You Scientist - Terraformer
Progressive Rock / Jazz Fusion
At this point, Thank You Scientist has a fairly predictable formula—but their technical proficiency and melodic sensibility always manage to impress me. Instrumentally, Terraformer is the band's strongest effort yet. The only drawback is its exhausting length.
19 | Bill Callahan - Shepherd in a Sheepskin Vest
Singer-Songwriter / Americana / Alt-Country
As one might suspect, this new record from Bill Callahan is far from vivacious. Poeticism has always been the centerpiece of Callahan's music. Shepherd in a Sheepskin Vest had a shockingly profound affect on me. Bill's positive outlook on death is comforting and beautiful. "Circles," "When We Let Go," and "Lonesome Valley" left me in tears.
18 | 100 gecs - 1000 gecs
Bubblegum Bass / Emo Rap / Deconstructed Club / Trap
1000 gecs captures an intensely unique energy that I've yet to find elsewhere.
Dance-Pop / Synth-Pop
Queen Carly has successfully and charasmatically reclaimed the glossy sound of the '80s, and seamlessly fused it with elements of contemporary pop music. Dedicated is a laudable successor to 2015's Emotion. Time and again, Jepsen proves to be one of the most consistent artists in pop music.
16 | Injury Reserve - Injury Reserve
Experimental Hip Hop / Industrial Hip Hop
On their self-titled debut record, this Arizona trio finds the perfect balance between gaiety and thoughtfulness, zaniness and profundity. The production is often innovative and industrial, without completely abandoning pop sensibility and accessibility.
15 | Ariana Grande - thank u, next
Contemporary R&B / Pop
Written in only two weeks, thank u, next is a strong contender for pop album of the year. Due to the time allotment, the lyricism comes across a bit rudimentary at times; but overall, this album covers all the bases that mainstream pop record should. It's not only fun and infectious, but also conceptual. And the production backing Ariana's soaring vocals is pristine. "ghostin" is one of the most memorable pop tracks of the year.
14 | Little Simz - GREY Area
UK Hip Hop / Conscious Hip Hop
I think Kendrick Lamar said it best when he said, "[Little Simz] might be the illest doing it right now" (MistaJam, 2015). GREY Area is my favorite rap record of the year; it offers smart and powerful social commentary over dark, rhythmic, jazz-inspired beats.
13 | Alon Mor - Lands of Delight
Experimental Electronic / Deconstructed Club / Cinematic Classical
I've had my eye on Alon Mor since the release of his 2016 single, "Demons." His music is some of the most cinematic electronic music I've ever heard. Every song feels like a battle, and every album feels like a journey. The complex composition, grandiose sound design, and extravagant song progression render this album other-worldly.
12 | Charli XCX - Charli
Electropop / Bubblegum Bass
There are a few songs on this record that are needlessly vapid and gentrified; it's likely Charli was hedging her bets in hopes of securing some radio airtime. But by and large, this is a state-of-the-art pop album. The production value and vocal processing are simply next-level, no pun intended.
11 | Hakushi Hasegawa - Air Ni Ni
J-Pop / Progressive Pop / Nu Jazz
I came across Air Ni Ni at the tail end of 2019, and I'm so glad that I did. It's profoundly spirited and engrossing. Derived from eclectic influences, Air Ni Ni finds its distinctive and eccentric identity. This is a highly addictive and phenomenally progressive take on jazz music. "Only You" is one of my favorite album openers of the year; it's such a convivial and befitting precedent for the rest of the record.
10 | Purple Mountains - Purple Mountains
Alt-Country / Indie Rock / Singer-Songwriter
David Berman (God rest his soul) was one of the greatest lyricists of our time, if not the greatest. No one could craft a verse like he could; he had some of the punchiest couplets in indie music history. Purple Mountains is a painfully honest and somber commentary on depression—and the context of Berman's death makes this even more heartbreaking to listen to. It's Berman's darkest project, and it certainly exhibits his extraordinary songwriting ability. This album is special, and it will be remembered for many years to come.
9 | Bon Iver - i,i
Art Pop / Folktronica
For fans of Vernon's past work, i,i might be an acquired taste. Whereas his past three studio albums were deeply personal, self-reflective, and melancholic, this record is externally focused and buoyant. Conceptually, i,i is grand in scale. While 22, A Million was dark, intimate, and cryptic, i,i is informative, hopeful, and exhortative. Justin wears his heart on his sleeve with this release; songs like "Faith" and "Naeem" are vehemently cathartic.
8 | Angel Olsen - All Mirrors
Art Pop / Dream Pop / Chamber Pop
Angel Olsen's fourth studio album is dark and imposing. This is a new aesthetic for Olsen; and it suits her incredibly well. The instrumentation on All Mirrors is more rich and symphonic than ever before; the warm strings, atmospheric synths, and sonorous vocals complement each other wonderfully. Moreover, the themes Olsen explores are sublimely human.
7 | Madeon - Good Faith
Electropop / Synth-Pop
If uplifting, gospel-fused EDM with flawless mixing and sparkling production sounds like your cup of tea, this might be the greatest tasting tea you ever consume. I can't stop listening to this album; it's arguably the most inspirational and smile-inducing record of the year. And if you get the chance to see Madeon perform live, do it. "Good Faith Live" was one of the most beautiful electronic shows I'd ever seen.
6 | Weyes Blood - Titanic Rising
Baroque Pop / Art Pop
You know the drill. You can't have a Year-End list without Titanic Rising.
5 | The Caretaker - Everywhere at the end of time (S6)
Dark Ambient, Drone, Sound Collage
I've never been so emotionally provoked by an ambient project. Everywhere at the End of Time is an utterly forlorn and horrifyingly tranquil piece of art. Clocking in at 6 hours and 39 minutes, this concept album (if you can call it that) attempts to sonically depict the stages of dementia through the lens of one who has been diagnosed. It's a delicate subject, but it's handled with great care. The album was released in six parts over the course of the decade. This year, the sixth and final stage was released. While listening to Stage 6, I blindfolded myself and thought meditatively on the subject matter. It led to one of the most severe moments of existential thought I've ever experienced while listening to music. I cried, winced, and shook with fear.
4 | Tyler, The Creator - IGOR
Neo-Soul / Experimental Hip Hop
Following up the sensational Flower Boy, we have an even more melodious and vulnerable release from Tyler, The Creator. IGOR is Tyler's most conceptual and psychedelic record. Sure, it's discernably influenced—but Tyler's signature synthesizers, unorthodox chord progressions, sophisticated songwriting, and calculated conceptualization make it one-of-a-kind.
3 | FKA Twigs - Magdalene
Art Pop / Glitch Pop / Alternative R&B
Prepare for a staggering display of passion and craftsmanship. On Magdalene, Tahliah Barnett is emotionally forthright and unreserved. She identifies with and attempts to vindicate Mary Magdalene—a bible character who has been defamed by many. Barnett uses Magdalene as a synecdoche of sorts; honorably, her end-goal is to honor and inspire the marginalized. She does so successfully—backed by a team of ingenious and enterprising producers.
2 | black midi - Schlagenheim
Noise Rock / Math Rock / Post-Punk
On the surface, Black Midi can be off-putting. Their music is heavy, dissonant, and chaotic. Geordie's vocals are quavery and grating. Schlagenheim is essentially an aural manifestation of adrenaline. That said, allowing this "adrenaline" to be released into your proverbial bloodstream can be galvanizing and life-altering in the best possible way.
1 | Richard Dawson - 2020
Art Rock / Avant-Folk
No one makes music quite like Richard Dawson. 2014's Nothing Important was a deeply introspective and existential lo-fi avant-folk record that put Dawson on the map. In 2017, he returned with the release of Peasant; this critically acclaimed concept album explores the culture of medieval Bryneich by telling isolated stories from the perspective of fictitious individuals living in that place and time. 2020 is similar in theme and structure, but different in context and approach. These projects are obviously intended to be related to one another; they're like two installments of the same series.
2020 is a record that attempts to capture the essence and condition of modern culture. Rather than discussing Bryneich circa 400 CE, Dawson discusses Middle England in the year 2020. He still tells isolated stories that seem unrelated and even inconsequential; but ultimately, they perfectly encapsulate the essence of human existence in the digital age. They're jam-packed with universal truths and valuable lessons. He tackles difficult subjects like anxiety, depression, and politics via stories about soccer, infidelity, and Amazon Fulfillment Centers. It's all at once humorous and bleak, amusing and distressing. Dawson has a remarkable ability to cleverly ornate the mundane.
Musically, 2020 is all over the place—but all of its sonic exploration stems from an easily recognizable place of passion, anxiety, and quirkiness. This foundation helps the album to maintain a cohesive aesthetic. He uses a lot of new sounds, and experiments more with noise and synths. Ironically, he’s managed to make this his most accessible record yet by adding more sonic elements. It still feels notably raw, grimy, and impassioned, despite having more commercialized production. 2020 also contains Dawson's most “latchable” melodies to date. Of all his projects, I see this one having the widest appeal; and yet, it was crafted without sacrificing any artistic integrity.
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